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Abbey 7009, 1950 (Tom Kelly)
Alben 1004, 1949 (Per Notini)
Apex 603, 1949 (Tom Kelly)
Bandwagon 513, 1948 (Tom Kelly)
Bayou 007, 1953 (Tom Kelly)
BBS 1002, 1952 (Tom Kelly)
Bibletone 2001, 1945 (Guido van Rijn)
Blaze 110, 1954 (Per Notini)
Bluebird 0806, 1942
Brandt 211, c. 1950
Bronze 111, c. 1943 (Tom Kelly)
Brunswick 84012, 1953
Bullet 324, 1950
Calvary 304, 1952
Carter’s 100, 19?? (Tom Kelly)
Cava-Tone 256, 1949 (Tom Kelly)
Chord 600, 1949-50
Circle 3014, 1946 (Per Notini)
Click 116, 1948-49
Club 301, c. 1948
Coleman 501, 1949-50 (Tom Kelly)
Columbia 602, 1949 (Tom Kelly)
Columbia 40610, 1955
Continental 6011 , 1945 (Tom Kelly)
Coral 65027, 1950
Crossroad 18009, 1959 (Per Notini)
DC 8070, 1950
Derby 746, 1950 (Tom Kelly)
Diamond 2027, 1946 (Tom Kelly)
Disco 1000, 19?? (Tom Kelly)
Dot 1048, 1950
Eagle 103, 1946 (Tom Kelly)
Ebony 1031, 1948 (Per Notini)
Enterprise 201, 1946 (Tom Kelly)
Essex 129, 1950-51 (Big Joe Louis)
Excelsior 185, 1946
Exclusive 87, 1949 (Andrew Bohan)
Fortune 1318, year unknown (Big Joe Louis)
Freedom 103, 1949 (Tom Kelly)
G & G 5032, 1947 (Tom Kelly)
Gamble (nn), 19?? (Big Joe Louis)
Gerald 103, 1949-50 (Tom Kelly)
Gold Star 114, 1948 (Tom Kelly)
Golden Echo 12333, 1957 (Tom Kelly)
Gospel 101, c. 1950
Grand 508, 1955
Grant Memorial 200, 19?? (Tom Kelly)
Greenwood 540, c. 1946 (?) (Per Notini)
H. and W. 400, 1955-56 (Tom Kelly)
Harlem 1013, 1945 (Tom Kelly)
Haven 506, 1946
Herald 2003, 1954 (Tom Kelly)
Herod 1001, early 1950’s (Guido van Rijn)
Hi-Hat test pressing, 19?? (Tom Kelly)
Hi-Lo 1411, 1952 (Guido van Rijn)
Hoyt’s 521, 1955 (Tom Kelly)
HUB 3020, 1946 (Tom Kelly)
Hudson 111, 1955-56 (Tom Kelly)
Hy-Tone 503, c. 1947 (Tom Kelly)
Imperial 5017, 1947 (Tom Kelly)
Jackson 101, 19?? (Peter Brown)
Jaguar 202, 1954
Jaxyson 104/131, 1950 (Tom Kelly)
J-B 604, 1952 (Tom Kelly)
Jewel 2006, 1948 (Tom Kelly)
Joe Davis 7000, 1945 (Tom Kelly)
Keynote 101, c. 1942 (Per Notini)
Lamp 9001, 1954 (Tom Kelly)
Lance 1035, c. 1950 (Tom Kelly)
Lee 5001, c. 1948 (Tom Kelly)
Lloyds 103, 1953 (Tom Kelly)
Lucky 500, 1954 (Per Notini)
Martin 201, c. 1949 (Tom Kelly)
Mercury 8253, 1951 (Tom Kelly)
Metro 111, c. 1948 (Per Notini)
MGM 10797, 1948
Miracle 107, c. 1947 (Tom Kelly)
Modern 760, 1950 (Tom Kelly)
Money 213, 1956 (Per Notini)
Murray 107, c. 1946 (Peter Brown)
Music Master 662, 19?? (Per Notini)
Musicraft 554, 1948 (Per Notini)
Okeh 6890, 1952
Oklahoma 12211, c. 1955
Olliet 622, c. 1948 (Big Joe Louis)
Pacific 604, 1946
Paradise 125, c. 1949 (Per Notini)
Parrot 107, c. 1953 (internet)
Ping 1005, 1957 (Per Notini)
Planet 101 , 1957 (Tom Kelly)
Premium 875, 1951 (Tom Kelly)
Prestige 2002, 1951 (Big Joe Louis)
Prosperity 3419, 1954 (Big Joe Louis)
Radio Artist 224, 1947 (Tom Kelly)
Randy 2, c. 1950
RCA Victor 1939, 1945
Religious Recording 1011, 1946-47 (Tom Kelly)
RPM 335, 1951 (Big Joe Louis)
Ruby 840, 19?? (Tom Kelly)
Ruby 1003, 1956 (Tom Kelly)
Sacred 108, 1948
Sara 103, c. 1947 (Tom Kelly) – not an instrumental!
Satin 105, 19?? (Per Notini)
Score 5052, 1953 (Tom Kelly)
Selective 109, 1949 (Peter Brown)
Sittin’ In With 2007, 1948 (Guido van Rijn)
Songs Of The Cross 101/102, c. 1950
Space 203, 1956 (Per Notini)
Staff 641, 1949
Standard 5016, 1953 (Guido van Rijn)
State 102, c. 1954 (Tom Kelly)
States 109, 1952 (Tom Kelly)
Sterling 1504, 1947
Sun 213, 1954 (John Boija)
Sunrise 2117, 1950 (Andrew Bohan)
Supreme 1521, 1948 (Per Notini)
Swing Time 195, 1949 (Tom Kelly)
Tan Town, no number, early 1950s (Tom Kelly)
Tennessee 107, 1950 (Tom Kelly)
Tiger 100, c. 1952 (Peter Brown)
Timely 102, 1954 (Tom Kelly)
Top Hat 1011, 1952 (Tom Kelly)
True Blue 201, 1948 (Tom Kelly)
Tuxedo 903, 1955
United 134, 1952
Vesper Hour 324, late 1940’s (Per Notini)
Volunteer 304, c. 1950’s (Per Notini)
White Church 1180, 1948
W and W 103, early 1940s (Big Joe Louis)
No label 888, 1953 (Tom Kelly)
No label 1, prob. late 1950’s (Andrew Bohan) – a mixed b/w group?
No label, 19?? (Big Joe Louis)
